Program Notes

May 16 and 17, 2026

Some Thoughts from Philip Denton, VMC Artistic Director

There is such a big world of music out there, and we miss so much of it if we only program music from the traditional European Classical canon.

As I designed this concert, I worked to choose tuneful and entertaining music that offers a small glimpse into music from around the world, to open us up to new musical languages and possibilities. After this global musical tour, the second half of the concert will bring us back home with music by PNW composers, with vocal jazz and a few new choral works.

“Nipiy” – Sherryl Sewepagaham
 “Nipiy,” meaning “water” in Cree, is both a celebration and a reminder of water’s sacred role in life. Composer Sherryl Sewepagaham, a member of the Little Red River Cree Nation, draws on Indigenous traditions and perspectives to create music that feels deeply connected to the earth. Flowing rhythms and shimmering vocal textures evoke the movement of water itself—at times gentle and reflective, at others powerful and life-giving. The piece invites listeners to consider water not just as a resource, but as a living presence worthy of respect and gratitude.

“Ah! si mon moine voulait danser!” – arr. Donald Patriquin
This lively French-Canadian folk song tells the humorous story of a monk who would much rather dance than fulfill his duties. Full of playful energy and rhythmic drive, the music captures the spirit of traditional call-and-response singing and foot-tapping dance. Donald Patriquin’s arrangement enhances the humor with clever vocal effects and a growing sense of excitement, making it easy to imagine a whole village joining in. It’s a joyful reminder that sometimes, even the most serious among us can’t resist the pull of music and movement.

“She Moved Through the Fair” – arr. David Mooney
This haunting Irish folk song tells a story of love that lingers beyond loss. A young man recalls his beloved moving quietly through a fair, promising marriage—only for her to appear to him again after her death. David Mooney’s arrangement leans into the song’s ethereal quality, with rich harmonies and a sense of stillness that feels almost suspended in time. The result is both tender and mysterious, capturing the enduring presence of love even in absence.

“Muusika” – Pärt Uusberg
In “Muusika” (simply “Music”), Estonian composer Pärt Uusberg reflects on the profound emotional and spiritual power of music itself. Setting a text by poet Juhan Liiv, the piece unfolds with warmth and sincerity, building from quiet introspection to a radiant fullness of sound. Uusberg’s writing is rooted in Estonia’s rich choral tradition, where singing is a vital part of cultural identity. This piece feels like a meditation—on beauty, on connection, and on the way music can speak when words fall short.

“Pisnia (The Song)” – Iryna Aleksiychuk
“Pisnia,” meaning “song” in Ukrainian, is a vibrant tribute to the enduring power of singing in times of both joy and hardship. Composer Iryna Aleksiychuk weaves together folk-inspired melodies with contemporary choral textures, creating a work that feels both rooted in tradition and alive in the present moment. There is an undercurrent of resilience throughout the piece, reflecting the important role music plays in preserving culture and offering hope. It’s a powerful reminder that song can carry the spirit of a people across generations.

“Dwijavanthi” – arr. Ethan Sperry
Based on a raga (melodic framework) from Indian classical music, “Dwijavanthi” invites listeners into a rich and expressive sound world. Ethan Sperry’s arrangement captures the improvisatory feel of the tradition through layered vocal lines and intricate rhythms. The music unfolds gradually, with each phrase adding color and depth, much like a musician exploring a raga in performance. The result is both meditative and vibrant, offering a glimpse into a musical tradition that values nuance, ornamentation, and emotional expression.

“Arirang” – arr. Hyo-Won Woo
“Arirang” is one of Korea’s most beloved folk songs, often considered an unofficial national anthem. Its melody is simple yet deeply expressive, telling stories of love, separation, and longing. Hyo-Won Woo’s arrangement expands this familiar tune into a lush choral tapestry, blending traditional elements with contemporary harmonies. The piece grows in intensity, honoring the song’s cultural significance while bringing new life to its timeless melody.

“Tshotsholoza” – arr. Jeffrey L. Ames
Originally a work song sung by South African laborers, “Tshotsholoza” has become a powerful symbol of unity and perseverance. Its steady, driving rhythm mimics the motion of collective labor, while its call-and-response structure reinforces a sense of community. Jeffrey Ames’ arrangement builds layer upon layer of sound, creating an atmosphere of strength and solidarity. Today, the song is often heard at sporting events and gatherings, where its message of working together toward a common goal continues to resonate.

“Te Quiero” – Alberto Favero
Set to a poem by Mario Benedetti, “Te Quiero” is a heartfelt expression of love grounded not in grand gestures, but in everyday connection. Alberto Favero’s music mirrors the text’s sincerity, with lyrical lines and gentle harmonies that feel intimate and direct. Rather than overwhelming the listener, the piece draws you in quietly, celebrating the simple, enduring nature of love—one that is built on presence, trust, and shared life.

“Muie Rendera” – C.A. Pinto Fonseca
Bursting with rhythmic vitality, “Muie Rendera” is a lively Brazilian folk song full of playful charm. The music dances with syncopated rhythms and bright energy, reflecting the rich musical traditions of northeastern Brazil. C.A. Pinto Fonseca’s arrangement highlights the song’s infectious spirit, inviting singers and listeners alike to get caught up in its momentum. It’s a joyful celebration of community, storytelling, and the irresistible power of rhythm.

“Sing, for the World Needs a Song” – Howard Meharg
This uplifting piece is a call to action, encouraging voices to come together in hope and unity. Howard Meharg’s music combines accessible melodies with a message that feels especially relevant: that music can bring light, healing, and connection in a complex world. As the piece builds, it creates a sense of collective purpose, reminding us that every voice matters—and that together, they can make a difference.

“A Little Song of Life” – Reginald Unterseher
Lighthearted and reflective, “A Little Song of Life” captures the small, meaningful moments that make up our everyday experiences. Reginald Unterseher’s writing balances simplicity with warmth, allowing the text’s gentle wisdom to shine through. There’s a sense of gratitude woven throughout the piece—a recognition that life’s beauty often lies in its quiet, ordinary joys.

“A Jubilant Day” – Judy Rose
Brimming with energy and celebration, “A Jubilant Day” lives up to its name. Bright harmonies and rhythmic drive propel the music forward, creating an atmosphere of pure joy. Judy Rose’s composition captures the excitement of a shared celebration, making it a fitting conclusion to a concert centered on connection and song. It leaves both performers and audience with a sense of uplift and renewal.